❝ To a certain extent I suppose all actors are big kids. ❞
"As an actress, I think it’s important to look back and realize that we aren’t always quite as original as we think we are. There’s this grand, textured history for us over the last 100 years of incredible writers, directors, and performers."
"legolas is the hot one"
Sansa’s arc is dependent upon her finding her agency and becoming a player in the game of thrones. (Though she may also have potential within the magical arc of the series.) Her passive action is not weakness or stupidity. It is her only option and she is working it to the best of her abilities, toeing the line between survival and destruction, identity and dissociation, self-care and necessary self-denial. From the beginning of this story, she has had every tool she needed to rule. Sansa Stark was a sheltered child thrown into emotional and political turmoil. And despite her grief, her guilt, and her longing, she has carried on, “…to porcelain, to ivory, to steel”. She is a wolf, a Stark, and at home in winter and turmoil, high functioning in peril. Her courtesy is not only armor, it is easily weaponized, she only needs the realization and the opportunity. Sansa Stark is very well the political Chekhov’s gun of this series. Not only will she live through the barbaric and oppressive nature of this society, she will be better than it. [x]